Kaye Freeman (b. 1963, Hong Kong, China) lives and works in down town

Los Angeles. Beginning her career in theatre as part of the avant garde dance troupe based in Sydney, Dar'c Swan, she has evolved her art onto canvas and film. Her grounding in theatre feeds into all of her current projects which include painting, performance and film making. In 2018 Freeman produced a book of poetry and art in collaboration with poet Natasha Dennerstein titled Turn and Face the Strange, published by Norfolk Press.

Freeman has exhibited internationally since the early 2000s. In 2020 and 2021 she had two solo exhibitions, Cosmic Origami at the Museum of Art and Sciences in Macon, Georgia and The Hardin Center in Gadsen Alabama. In 2019, Anatomy of a Painting at The Museum of Art and History, Lancaster curated by Amy Kaps. Two of her short films were selected in 2021 for the Comeback Festival at Art Share LA. In 2022 Frrman perfomed at The Hammer Museum as part of the LIFES Exhibition. Recent group shows include, Clay Contemporary Norfolk UK in 2018, Eye to Eye at Band of Vices in 2019, That Layered Look Tufenkian Fine Arts LA in 2020. NOMAD, The Medical Center Building,Torrance Museum, MESCALINE at Band of Vices and in 2022, and Sightlines at Melissa Morgan Fine Arts. During the shut down of 2020 Freeman had a digital solo exhibition, Further from Heaven and at the beginning of 2021 she was part of a two artist show In The Midst Of All That Is also at Band of Vices. Most recenlty she performed live with her collaborative project HIBISCUS TV at the Ebb & Flow festival presented by The Heidi Duckler Dance Company. To view a full CV please go to http://www.kayefreeman.com